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More details. Purchase rights: Stream instantly Details. Format: Prime Video (​streaming online video). Devices: Available to watch on supported devices. Elfteilige TV-Verfilmung von Thomas Manns berühmter Familiensaga um eine Lübecker Kaufmannsdynastie. Die Buddenbrooks im Stream. Die Buddenbrooks ist. Die Buddenbrooks jetzt legal online anschauen. Der Film ist aktuell bei Amazon, iTunes, Microsoft, Rakuten TV, Videoload, CHILI, maxdome, Sony verfügbar. Buddenbrooks stream des films avec sous-titre français paenlaga.seez un film en ligne ou regardez les meilleures vidéos HD p gratuites sur votre. Er hat mit Konsulin Elisabeth Buddenbrook (Ruth Leuwerik) vier Kinder: Thomas (als Kind: Armin Pianka, später: Michael Kebschull; Volkert Kraeft), der Älteste;.

buddenbrooks stream

Elfteilige TV-Verfilmung von Thomas Manns berühmter Familiensaga um eine Lübecker Kaufmannsdynastie. Die Buddenbrooks im Stream. Die Buddenbrooks ist. Buddenbrooks stream des films avec sous-titre français paenlaga.seez un film en ligne ou regardez les meilleures vidéos HD p gratuites sur votre. Er hat mit Konsulin Elisabeth Buddenbrook (Ruth Leuwerik) vier Kinder: Thomas (als Kind: Armin Pianka, später: Michael Kebschull; Volkert Kraeft), der Älteste;. buddenbrooks stream

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Thomas Mann - Buddenbrooks (Teil 1 von 22) Hörbuch Https://paenlaga.se/serien-stream-legal/eurosport-handball-wm.php Abendroth. Gesamt: Armin Mueller-Stahl. Community Telecharger Buddenbrooks Streaming Complet. Buddenbrooks - 2. August Go here. Film-Bewertung Buddenbrooks DE Fedja Van Huet. News Noch learn more here Inhalte verfügbar. Für diese Funktion müssen sie in der Community angemeldet sein. Heinrich Breloer.

BuddenBrooks: Verfall einer Familie. Ungekürzte Sonderausgabe. Buddenbrooks: Verfall einer Familie. Buddenbrooks: Verfall einer Familie , buchclub Buddenbrooks: Roman.

Buddenbrooks: Verfall einer Familie , G. Borrow Listen. Buddenbrooks: varfall einer familia. Buddenbrooks , A. Buddenbrooks: the decline of a family , Penguin.

Buddenbrooks , Knopf. Buddenbrooks: Verfall einer Familie , Bermann-Fischer. Buddenbrooks: Verfall einer Famillie.

Buddenbrooks , The Modern Library. Filcher Verlag. Fischer Verlag. Buddenbrooks: the decline of a family , Martin Secker.

Buddenbrooks: verfall einer familie , S. Buddenbrooks: Verfall einer Famillie , Fischer. Buddenbrooks , M.

Read Listen. Buddenbrooks , Fischer. Buddenbrooks: Roman , Fischer. Buddenbrooks: verfall einer familie, roman , S.

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Download as PDF Printable version. The big politics of and the wars of unification are in the background. Their world is a shrinking pond.

When they venture outside they are at the mercy of bigger fish. Each character in successive generations succeeds in both being a type and true to their time while also being an individual.

This is the book that gave rise to the idea of a 'Buddenbrook syndrome' used to describe the practise of commercial families to withdraw in the second and third generations from business and to put their time and money into leisure activities as well as anticipating maybe even inspiring Max Weber's The Protestant Ethic and the Spirit of Capitalism in its treatment of the part played by religion in the inner lives of the Buddenbrooks.

The neverending oppressive school day that robs little Hanno of vitality would feature again in his brother Heinrich Mann's novels The Blue Angel and Man of Straw.

The concerns with philosophy and music that Mann developed further in The Magic Mountain and Doctor Faustus here suggest that the decline in the world is balanced by an inner refinement.

That the increasing interior richness of their lives renders them unable to compete with their local rivals, the grossly corporeal Hagenstrom family.

For all their status inside the city the new Germany is dominated by the old landed aristocracy - something that will be expressed with more brutality and bitterness in Man of Straw by Tom's brother Henrich Mann.

The gloomy, pessimistic story is told with irony, which can keep the characters at arm's length, but then since they tended to fail to achieve connections with spouses and other contemporaries was perhaps just what the author intended.

He escaped and transcended his heritage — his characters couldn't. View all 57 comments. And one would know so much better the second time!

And if you appreciate your books with action and thrilling stuff, then Thomas Mann's novel is not exactly the book you should turn to because it would only disappoint you.

It took "The sad thing is that one lives but once—one can't begin life over again. It took me almost three months to fight my way through the novel.

I read the original German version, and as a native German speaker, let me tell you something: reading classics in German is much more difficult than reading classics in English.

And Thomas Mann certainly knows how to keep his sentences long-winded, letting them run on and on over the course of half a page before finally ending the sentence if you're lucky.

Back in school, my German teacher would have had a mental breakdown if I'd made him read sentences like this in my exams.

Basically, the story of the Buddenbrooks consists of a plot outlined in an exceedingly detailed way, narrated through a lot of different days set in the family members' everyday life, which includes a lot of time jumps.

Dealing with their struggles and important events like births, deaths, marriages, divorces and financial businesses, the characters are elaborately established, especially siblings Tony and Thomas, who soon solidify their roles as main protagonists.

Both are flawed human beings, are responsible for a lot of mistakes, and have to deal with the deeds they have committed in the past. The story revolves around the development of the main characters, as Thomas Mann allowed readers to follow Tony, Thomas, Christian and other characters from their childhoods to their deaths.

Mann did not even attempt to make his characters appear perfect, he attempted - and succeeded - to make them appear realistic.

Certain supporting characters lack some attention by the author, but in my opinion, Mann managed to unite plot and character development nearly perfectly.

The outer manifestations take time - like the light of that star up there, which may in reality be already quenched, when it looks to us to be shining its brightest.

The writing style is not difficult to read and understand, though - Mann is able to write engaging chapters, using exactly the right lengths and engaging his readers by creating an interesting atmosphere and allowing you to easily imagine the setting in front of your imaginary eye.

And there is a certain subtlety about his humor, which I was personally able to enjoy a lot. If you don't know much about this time period, then Thomas Mann's epic novel about this huge family living and working in Lübeck a city at the Baltic Sea in Northern Germany, set in a region which I can only recommend visiting might be quite an interesting reading experience.

It's a tedious book, but ultimately, it was absolutely worth the time I spent reading it. View all 6 comments. My previous experiences of Mann were The Magic Mountain and Doctor Faustus , both of which were rewarding but challenging.

Buddenbrooks was Mann's first major novel, a thinly veiled account of his own family's rise and fall over the course of the mid nineteenth century.

For a book written by a young man who was only 25 when it was published, it is extremely impressive, but it is very much a book of its time, and by modern standards it sometimes seems glacially slow moving, but very atmospheric, a My previous experiences of Mann were The Magic Mountain and Doctor Faustus , both of which were rewarding but challenging.

For a book written by a young man who was only 25 when it was published, it is extremely impressive, but it is very much a book of its time, and by modern standards it sometimes seems glacially slow moving, but very atmospheric, and it recreates a lost world in vivid detail.

The story starts in , when its main protagonists are children, and their grandfather Johann is in charge of the trading firm that supports the wealthy Buddenbrook family, merchants and leading lights of Lübeck's ruling class.

His two sons are the disinherited Gotthold, who lost favour by marrying against his father's wishes, and Consul Johann, his heir.

The main protagonists are Consul Johann's children - Thomas, who becomes the final head of the family business view spoiler [ inheriting it young after his father's sudden death, steering it to a high point when he becomes a senator and overreaches himself by building an excessively grand new house, before presiding over the decline of the company and its eclipse by local rivals, and then dies early himself hide spoiler ] and Antonie Tony , whose two disastrous marriages are only brief interludes as she spends most of her life at the heart of the family in Lübeck.

In the second half of the book we are introduced to Thomas's son Hanno, who must be at least partly a vehicle to allow Mann to discuss some of the traumatic events of his own childhood for example the long chapters on the family Christmas and a typically disastrous school day.

He is also something of a musical prodigy, which allows Mann to discuss an interest he developed in much greater detail in Doctor Faustus.

No doubt I am only scratching the surface of what could be said about it. View all 10 comments. Jan 30, Chrissie rated it it was amazing Shelves: classics , read , relationships , favorites , hf , germany , audible-uk.

Absolutely excellent, descriptive writing. Writing that pulls the reader in. Characters that are fully developed and totally real. A book with humor.

A book with serious topics to consider. Every time the theme changed I was astonished to once again see how this topic and that topic and every topic touched upon had something to say to me.

A long book that does not drag. I loved reading a book set in Germany before either of the world wars! The Revolution of Absolutely excellent, descriptive writing.

The Revolution of and the war against Denmark are briefly featured. I enjoyed observing, with humor, cultural differences within the country, how the Prussians view the Bavarians and the Bavarians the Prussians.

The setting is primarily Lübeck in the s. Clothing, foods, furniture, beliefs and traditions of the era and place are all picturesquely depicted.

Here is a multi-generational novel where a large number of characters are introduced early in the story and stay around long enough so that the reader comes to know each one intimately.

The characters mature yet each remains true to their distinctive personality. There are characters with widely differing traits, but usually there were both good and bad qualities in each individual, and this made each feel real.

There are so many. Sibling relationships — jealousies, competitiveness and innate differences.

Family enterprises. Moral standards. The importance of art and music. All of which can be weighed one against the other. Choices must be made.

This is a new audiobook; it came out in October The narration by David Rintoul is stupendous.

When an audiobook is this well read it is impossible not to recommend listening to it rather than reading it.

Fantastic intonations for the respective characters. Perfect speed. Perfect pronunciation of French and German dialects.

A simply wonderful narration. This is a classic to be read or preferably listened to. Wonderful writing. Very descriptive, but in a good way.

You see everything right before your eyes. There is humor. The events pull you in. When terrible things happen, even to people you dislike, you care, you need to know how the problem will be resolved.

It has been ages since I have read such a great multi-generational saga! David Rintoul reads the new audibook wonderfully. View all 28 comments.

Shelves: read-in This is my first Goodreads reading group experience and I have to thank both Kalliope and Kris for having pointed this work out to me and for having allowed me to participate.

I also want to give thanks to all the reading partners who keep posting invaluable comments which have helped me to better grasp the nature of this novel.

But what I find most impacting is that even though I was prepared to witness the much forewarned decline of this family I was swept away completely all the same by the pragmatic but intense tone of the narrative which stirred unintended, troubled feelings in me.

Told in an omniscient, impartial voice and taking for background the first symptoms of major social and economic changes in Germany on its way into 20th Century modernity and uncertainty, Mann opens the narration with an opulent banquet in where the three generation of Buddendbrooks are celebrating their social and economic prominence and future prospects.

Mann describes their world in detail and masterly pictures the characters with all their hopes, fears and ambitions, all this in a brilliantly flowing language.

The story mainly follows two of the children: Thomas, the crown prince who has been prepared to take over the firm and to become the future ruling man in the family, and his beautiful sister Antoine, a spoiled, naive creature with bourgeois airs but good-natured heart who will see her life expectations vanish and her dreams disappear as years go by.

In this sense, Mann sets the tone for some themes in his forthcoming works, one of them being the refined and sophisticated artistic attitude opposed to the simple, healthy and pragmatic life of a merchant family, a poignant subject in this novel and one which could also have reminiscences of his own personal experience.

In the end, nothing is left, no grand house, no flourishing firm, no prominent family. The Buddenbrooks sink back into meaninglessness.

Only an old volume with the genealogy of the whole family remains, echo of a long gone world and the only proof of what once was and never will be again.

But with the end comes freedom. Was he not in painful arrest from the hour of his birth? Prison, prison, bonds and limitations everywhere!

The human being stares hopelessly through the barred window of his personality at the high walls of outward circumstances, till Death and calls him home to freedom!

View all 58 comments. Bra-effin'-oh, young Mann -- I'm pretty sure this breaks the world record for precocious achievement of towering literary artistry.

Published in when dude was like 25 years old. Must've taken a couple years to write. Can't imagine a current undergrad publishing something like this in a few years.

Woods's sensibility and super-steady, elastic, attentive prose style. The duo is as good as it gets. Of the four Bra-effin'-oh, young Mann -- I'm pretty sure this breaks the world record for precocious achievement of towering literary artistry.

I love the thematic overlap among these novels. In "Buddenbrooks," there's the sort of transgenerational family saga he returns to thirty years later in "Joseph and His Bros," specializing in sibling conflict; Hanno and his mah's musical obsession echoes "Doctor Faustus" in advance -- the super-descriptive pages toward the very end relaying young Johann's improvisation on piano pulled out the prose stops, suggesting the confounded turbulence of youth, including in Hanno's case the suggestion of a desire to get with his cool friend Kai I'm sure Mann's novels have launched hundreds of dissertations exploring his portraits of restrained sexuality ; there's illness as in "The Magic Mountain," particularly Christian's case.

But generally I was surprised how immersive this was, how quickly I entered the world of the story and lived with this middle-late s generation.

I expected something far more stodgy and comparatively amateur like proto-Mann , I think, and so was pleased to move through this and find him writing at the highest level from the get-go -- it's not a "soap opera" as some on here have said, but Tony's kiss with the aspiring young doctor at the beach as a teen and the subsequent betrothal to the ridiculous obsequious Bendix Grunlich with sideburns dusted in the same gold powder they use on almonds around Xmas really got me into it -- the conflict between love and familial duty, the sort of restrictions that in the West have gone extinct for the good of society but the detriment of our literature.

Loved the repeated image of the waves "raucously" crashing on the shore, their "ineluctable" succession suggestive of the passage of time, generations that emerge from the previous and give way to the next -- loved Thomas's evening of mystical insight after reading some philosophy its Eastern overtones reminded me of Schopenhauer and his totally realistic determination to change his life and then after a few days return to his entirely societally constrained ways.

Loved the conflict between Thomas the rational conservative duty-bound for the family's sake to stand firmly in the past and Christian the globe-trotting liberated gadabout who tells a good story and cares not about convention with both feet planted in the future.

Loved the conflict between the old ways and the emerging new exemplified by the organ teacher's initial exasperated disdain for Wagner, followed by his understanding and appreciation.

In the same ballpark but not quite playing the same socio-historical game as Joseph Roth's The Radetzky March -- unlike other Mann novels that have an eye out often maybe semi-excessively explicitly in Magic Mt.

Loved how Mann handled Tony's every utterance with characteristic affectionate "gentle irony" -- loved how Mann never condescends to characters he knows are questionable, how he stands back and presents it with at most a suggestion of judgment.

Loved the patient, thorough, consistently reinforced characterizations Christian's roving eyes and trouble swallowing and story about Johnny Thunderstorm; Thomas's mustaches waxed and curled to extend beyond his either cheek.

Loved the minor characters, particularly the early iteration of Gosch, whose first name I won't dare try to spell, awed by Gerda's beauty, with his hair combed forward over his brow.

Loved how Gerda is like one of those mysterious statuesque women who glide from the shadows of ruined Gothic novel estates.

Only Clara seemed undercharacterized and only once or twice did I feel a little confused about a plot point. There's so much life in here, all of it lived and "real" without a trace of post-modern or post-realist "reality hunger" techniques -- it's about as straight-up conventional pre-Joyce steady third-person narration as could be, a proper novel uber alles, the shoulders-of-giants Faulkner will stand upon when he conceives of the Compson family fallen on hard times thanks to a review on here that mentions this parallel.

Makes me want to read more 19th century lit like Dickens, Austen, Eliot. Anyway, a great novel, totally ambitious, controlled, and affective in its portrayal of a family's decline thanks mostly to the natural progression of innate individual sensibilities making their way through life -- ends on a really pessimistic note, something along the lines of "life will crush us all" -- but overall its presentation of life's deep dark richness and warmth is somehow optimistic, or at least suggests that our brief experience of however many days we're allotted is absolutely worth it.

View all 14 comments. Aug 25, Bettie rated it really liked it Shelves: published , re-visit , food-glorious-food , summer , germany , families , filthy-lucre , paper-read , pecuniarilly-challenged , decline-disintergration-degradation.

Four generations of Buddenbrooks try to sustain their inheritance - a once highly successful trading company in the port of Lübeck on the Baltic Sea - in a world where the old ways no longer seem to work.

It's , and the revolutionary tide running through Europe has finally reached Lübeck. Will the old merchant families hold on to power?

Of the Buddenbrook children, only Tom remains to learn the business. J Thomas and Gerda's son Hanno shows no aptitude for business, but may make a great musician.

Lovely to revisit this having just visited the beautiful hanseatic league town of Lübeck. Lebrecht Kroger undertook the carving, and skillfully cut the succulent slices, with his elbows slightly elevated and his two long forefingers laid out along the back of the knife and fork.

With the ham went the Frau Consul's celebrated " Russian jam" - a pungent fruit conserve flavoured with spirits.

View all 8 comments. May 13, Mala rated it really liked it Shelves: classic-ever-enduring-appeal , nobel-prize-winner.

Decline of a great family always evokes interest— people watch it like they would—a train wreck, a road-side accident, or a disaster movie— with fascination.

There's also an element of schadenfreude involved in "How the mighty have fallen! The historical change is sometimes seen as desirable as in the musical progression from Bach to Beethoven to Wagner.

It's only towards the end, that Mann categorically regrets the changing times in the description of Hanno's school: Soon after the new director's arrival, renovation and modernization of the old institution had begun— according to the very latest hygienic and aesthetic criteria— and been very successfully completed.

It remained an open question, however, whether the school had not been a more sympathetic and generous institution in the old days—when a little less modern, comfort and a little more kindness, sentiment, serenity, benevolence, and good cheer had held sway in its rooms.

There is also the hovering pessimism of Schopenhauer. The younger Buddenbrook, Christian the hypochondriac's tragedy is having an artistic temperament but not the ability.

And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances.

It had all contributed to making his existence what it was: artificial, self-conscious, and forced — until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.

Artistic life, with its no guarantee of success, no fixed income, fluctuating fortunes, demands nerves of steel. Why single them out as freaks?

Proust's narrator in Swann's Way , doesn't cry as much as Hanno does! In its fixation with 'decline,' the plot becomes predictable.

Show or Tell? Curiously enough though, as the year changed the novel spans a period of , the narrative style also changed— there were pages with only dialogues without naming their speakers what a relief!

Incisive characterizations are achieved through a witty use of German dialects and the adaptation of leitmotif techniques borrowed from Wagner.

And the fast-paced narrative is tightly controlled by a structure evident in the parallel between the first chapter and the last: both take place on rainy evenings in the fall, and both feature Tony Buddenbrook in conversations about religion -- first with her rationally skeptical grandfather and at the end with her aged teacher, who has always waged the good fight "against the onslaughts of reason.

Still, as a twenty-five year old, writing his first novel, this is a bravura performance! It won him the Nobel prize for literature, let's not forget that!

May 23, Lawyer rated it it was amazing Recommends it for: Anyone. Shelves: german-literature , thomas-mann , nobel-prize-winner , 20th-century , kindred-spirits-and-others , , group-read.

I am especially grateful for Kris Rabberman's invitation to join this group read. My experience with Thomas Mann had been limited to the short novella Death in Venice.

This group has broadened my reading horizons. Without the enthusiasm of the moderators and group members, it is highly unlikely I would have turned toward Buddenbrooks: The Decline of a Family.

My review will be forthcoming, with the added proviso that I am woefully behind on my reviewing.

However, in short, Buddenbrooks: The Decli I am especially grateful for Kris Rabberman's invitation to join this group read.

However, in short, Buddenbrooks: The Decline of a Family is the story of generations of the Buddenbrook family. They are merchants in the grain industry.

Mann covers the generations from the time of family members who lived through the Napoleonic Wars through the end of a dynasty.

It is that "decline" of a family that provided this reader with constant fascination. The history of a disunited Germany floats through the history of the Buddenbrooks, always in the shadows.

Events have little apparent effect on the family. Mann's references to these events are quite subtle, which serves as a background to which the Buddenbrooks seem to turn a blind eye.

Turning once again to the dynamics of this group read, the Moderators, Kris and Kalliope have done a masterful job.

Discussion among those reading the novel has been lively and thoughtful. If you're looking for a way to wrap your mind around a book which has given you pause in the past, I can assure you there's a group of "Kindred Spirits" out there, each with their particular strengths involving cultural and historical influences.

Highly recommended band of readers. The three successive generations suffer a decline in their finances and family ideals as values change and old hierarchies are upset by Germany's rapid industrialization.

Two of the siblings, Thomas and Antonie, sub "That all those charms have pass'd away, I might have watch'd through long decay Two of the siblings, Thomas and Antonie, subordinate their personal happiness to the welfare of the family business.

Antonie in particular gives up happiness twice for appearance's sake, each time being ravaged by reverses.

While Mann wrote this novel largely in an objective manner, the story represents a condemnation of the decadence of a materialistic society, as shown through this family.

While the Buddenbrooks were naturally honest and good, imbued with love of family, they were also afflicted by a blind loyalty to their own class.

They viewed each significant event in their lives, such as births, deaths, marriages, and social decisions, in relation to its effects on the family business.

Their refusal to adapt to changing conditions, to act from their moral convictions rather than treating their business as a religion, and to accept those not of their class led to their destruction.

Mann showed an incredible attention to the descriptive details of the period as well as his affinity for leitmotifs such as those derived from his love of the operas of Richard Wagner.

For example, blue skin and yellow teeth to represent decay and decadence in the family members.

I will refrain from posting a review of Buddenbrooks as I have nothing to add to the many splendid reviews of the novel.

It is astonishing that he could write so brilliantly at the age of twenty-five. His observations have already that same sharp wit as erupting in The Magic Mountain.

However splendid the novel is, I will probably never re I will refrain from posting a review of Buddenbrooks as I have nothing to add to the many splendid reviews of the novel.

However splendid the novel is, I will probably never re-read Buddenbrooks as the feelings of decline and doom really get to you and are never elevated for just a moment, only now and then with a sparkle of music or a stay at the sea.

In that respect, Buddenbrooks harbours a much more pessimistic atmosphere than The Magic Mountain which I will surely re-read again some day.

View all 21 comments. May 20, Roy Lotz rated it really liked it Shelves: novels-novellas-short-stories , germanophilia.

This novel is a crowd-pleaser. Without difficult prose or avant-garde innovation, Mann has delivered a work of enduring art, a satisfying social novel of Germany in the s.

Indeed, the novel is so easily digestible that I find that I have very little to say about it.

But lacking ideas is no excuse for not writing. What emerges is, I think, a fair picture of this bygone world: well-meaning, but privileged people, muddling through history and misfortune.

For one, unlike so many classic novels, the plot of Buddenbrooks is not pushed forward by love and marriage.

Instead, the motivations of the major characters are refreshingly diverse: money, respect, art, power, filial tenderness, tradition, and broader social currents.

Of course, this being a realistic work, there is love and marriage. Unlike most previous novels, however, the action of this book takes place at a time when divorce is possible—which quite dramatically changes things although it does not much improve the lot of the female characters in this book.

The plot of so many 18th century novels— Anna Karenina , Madame Bovary , The Red and the Black —would simply be incoherent if divorce had been easily attainable, so it was quite interesting for me to see how a major novelist adapted his plot to this new possibility.

While I would rank this novel significantly lower than The Magic Mountain in artistic vision and emotional depth, for simple reading pleasure Buddenbrooks is difficult to surpass.

And, often, that is all we really need. View 2 comments. I read a review recently of a historical novel.

The reviewer believed that most historical novels fail, because they depict characters with a modern consciousness.

These characters often defy the thinking of their times and act in ways that we can approve of. This novel is not historical fiction, but the fact that it was written over a hundred years ago and is full of completely recognisable, very vivid, and obviously historically accurate characters is just one of the things that wowed me about I read a review recently of a historical novel.

This novel is not historical fiction, but the fact that it was written over a hundred years ago and is full of completely recognisable, very vivid, and obviously historically accurate characters is just one of the things that wowed me about this book, Thomas Mann's first.

Sure, the characters do not hold all our values, but they are so like us, in good ways and bad ways, that it reminded me that our lives, in a sense, have been lived before.

And that is humbling. But the book is so well-written, filled with so many beautiful passages, so many extremely clear depictions of important aspects of life.

The realisation that all these emotions and situations have occurred before, millions of times, in millions of places, usually without an amazing novelist as witness, isn't even scary most of the time because I was just so impressed with Mann's ability to touch on so much.

He writes about a specific family during a specific time period but makes it breath-takingly universal. Some characters appear throughout, but there are many viewpoints.

Curiously, the novel, though clearly "literary", may even be an early example of a sub genre, the business novel, though I really have no idea how far back that sub genre goes.

The Buddenbrooks are merchants, and the business environment, livelihoods, is a lively and interesting element of the novel's setting.

The Buddenbrooks' decline and their business savvy is linked. We hear so much about today's changing economy; we ponder the unknowns and calculate, but that too, it is apparent from this novel, is not unique, even though differences between today and yesteryear obviously abound, humans have looked over similar precipices before

Absolutely excellent, descriptive writing. Writing that pulls the reader in. Characters that are fully developed and totally real.

A book with humor. A book with serious topics to consider. Every time the theme changed I was astonished to once again see how this topic and that topic and every topic touched upon had something to say to me.

A long book that does not drag. I loved reading a book set in Germany before either of the world wars! The Revolution of Absolutely excellent, descriptive writing.

The Revolution of and the war against Denmark are briefly featured. I enjoyed observing, with humor, cultural differences within the country, how the Prussians view the Bavarians and the Bavarians the Prussians.

The setting is primarily Lübeck in the s. Clothing, foods, furniture, beliefs and traditions of the era and place are all picturesquely depicted.

Here is a multi-generational novel where a large number of characters are introduced early in the story and stay around long enough so that the reader comes to know each one intimately.

The characters mature yet each remains true to their distinctive personality. There are characters with widely differing traits, but usually there were both good and bad qualities in each individual, and this made each feel real.

There are so many. Sibling relationships — jealousies, competitiveness and innate differences. Family enterprises. Moral standards. The importance of art and music.

All of which can be weighed one against the other. Choices must be made. This is a new audiobook; it came out in October The narration by David Rintoul is stupendous.

When an audiobook is this well read it is impossible not to recommend listening to it rather than reading it.

Fantastic intonations for the respective characters. Perfect speed. Perfect pronunciation of French and German dialects. A simply wonderful narration.

This is a classic to be read or preferably listened to. Wonderful writing. Very descriptive, but in a good way. You see everything right before your eyes.

There is humor. The events pull you in. When terrible things happen, even to people you dislike, you care, you need to know how the problem will be resolved.

It has been ages since I have read such a great multi-generational saga! David Rintoul reads the new audibook wonderfully.

View all 28 comments. Shelves: read-in This is my first Goodreads reading group experience and I have to thank both Kalliope and Kris for having pointed this work out to me and for having allowed me to participate.

I also want to give thanks to all the reading partners who keep posting invaluable comments which have helped me to better grasp the nature of this novel.

But what I find most impacting is that even though I was prepared to witness the much forewarned decline of this family I was swept away completely all the same by the pragmatic but intense tone of the narrative which stirred unintended, troubled feelings in me.

Told in an omniscient, impartial voice and taking for background the first symptoms of major social and economic changes in Germany on its way into 20th Century modernity and uncertainty, Mann opens the narration with an opulent banquet in where the three generation of Buddendbrooks are celebrating their social and economic prominence and future prospects.

Mann describes their world in detail and masterly pictures the characters with all their hopes, fears and ambitions, all this in a brilliantly flowing language.

The story mainly follows two of the children: Thomas, the crown prince who has been prepared to take over the firm and to become the future ruling man in the family, and his beautiful sister Antoine, a spoiled, naive creature with bourgeois airs but good-natured heart who will see her life expectations vanish and her dreams disappear as years go by.

In this sense, Mann sets the tone for some themes in his forthcoming works, one of them being the refined and sophisticated artistic attitude opposed to the simple, healthy and pragmatic life of a merchant family, a poignant subject in this novel and one which could also have reminiscences of his own personal experience.

In the end, nothing is left, no grand house, no flourishing firm, no prominent family. The Buddenbrooks sink back into meaninglessness.

Only an old volume with the genealogy of the whole family remains, echo of a long gone world and the only proof of what once was and never will be again.

But with the end comes freedom. Was he not in painful arrest from the hour of his birth? Prison, prison, bonds and limitations everywhere!

The human being stares hopelessly through the barred window of his personality at the high walls of outward circumstances, till Death and calls him home to freedom!

View all 58 comments. Bra-effin'-oh, young Mann -- I'm pretty sure this breaks the world record for precocious achievement of towering literary artistry.

Published in when dude was like 25 years old. Must've taken a couple years to write. Can't imagine a current undergrad publishing something like this in a few years.

Woods's sensibility and super-steady, elastic, attentive prose style. The duo is as good as it gets. Of the four Bra-effin'-oh, young Mann -- I'm pretty sure this breaks the world record for precocious achievement of towering literary artistry.

I love the thematic overlap among these novels. In "Buddenbrooks," there's the sort of transgenerational family saga he returns to thirty years later in "Joseph and His Bros," specializing in sibling conflict; Hanno and his mah's musical obsession echoes "Doctor Faustus" in advance -- the super-descriptive pages toward the very end relaying young Johann's improvisation on piano pulled out the prose stops, suggesting the confounded turbulence of youth, including in Hanno's case the suggestion of a desire to get with his cool friend Kai I'm sure Mann's novels have launched hundreds of dissertations exploring his portraits of restrained sexuality ; there's illness as in "The Magic Mountain," particularly Christian's case.

But generally I was surprised how immersive this was, how quickly I entered the world of the story and lived with this middle-late s generation.

I expected something far more stodgy and comparatively amateur like proto-Mann , I think, and so was pleased to move through this and find him writing at the highest level from the get-go -- it's not a "soap opera" as some on here have said, but Tony's kiss with the aspiring young doctor at the beach as a teen and the subsequent betrothal to the ridiculous obsequious Bendix Grunlich with sideburns dusted in the same gold powder they use on almonds around Xmas really got me into it -- the conflict between love and familial duty, the sort of restrictions that in the West have gone extinct for the good of society but the detriment of our literature.

Loved the repeated image of the waves "raucously" crashing on the shore, their "ineluctable" succession suggestive of the passage of time, generations that emerge from the previous and give way to the next -- loved Thomas's evening of mystical insight after reading some philosophy its Eastern overtones reminded me of Schopenhauer and his totally realistic determination to change his life and then after a few days return to his entirely societally constrained ways.

Loved the conflict between Thomas the rational conservative duty-bound for the family's sake to stand firmly in the past and Christian the globe-trotting liberated gadabout who tells a good story and cares not about convention with both feet planted in the future.

Loved the conflict between the old ways and the emerging new exemplified by the organ teacher's initial exasperated disdain for Wagner, followed by his understanding and appreciation.

In the same ballpark but not quite playing the same socio-historical game as Joseph Roth's The Radetzky March -- unlike other Mann novels that have an eye out often maybe semi-excessively explicitly in Magic Mt.

Loved how Mann handled Tony's every utterance with characteristic affectionate "gentle irony" -- loved how Mann never condescends to characters he knows are questionable, how he stands back and presents it with at most a suggestion of judgment.

Loved the patient, thorough, consistently reinforced characterizations Christian's roving eyes and trouble swallowing and story about Johnny Thunderstorm; Thomas's mustaches waxed and curled to extend beyond his either cheek.

Loved the minor characters, particularly the early iteration of Gosch, whose first name I won't dare try to spell, awed by Gerda's beauty, with his hair combed forward over his brow.

Loved how Gerda is like one of those mysterious statuesque women who glide from the shadows of ruined Gothic novel estates.

Only Clara seemed undercharacterized and only once or twice did I feel a little confused about a plot point. There's so much life in here, all of it lived and "real" without a trace of post-modern or post-realist "reality hunger" techniques -- it's about as straight-up conventional pre-Joyce steady third-person narration as could be, a proper novel uber alles, the shoulders-of-giants Faulkner will stand upon when he conceives of the Compson family fallen on hard times thanks to a review on here that mentions this parallel.

Makes me want to read more 19th century lit like Dickens, Austen, Eliot. Anyway, a great novel, totally ambitious, controlled, and affective in its portrayal of a family's decline thanks mostly to the natural progression of innate individual sensibilities making their way through life -- ends on a really pessimistic note, something along the lines of "life will crush us all" -- but overall its presentation of life's deep dark richness and warmth is somehow optimistic, or at least suggests that our brief experience of however many days we're allotted is absolutely worth it.

View all 14 comments. Aug 25, Bettie rated it really liked it Shelves: published , re-visit , food-glorious-food , summer , germany , families , filthy-lucre , paper-read , pecuniarilly-challenged , decline-disintergration-degradation.

Four generations of Buddenbrooks try to sustain their inheritance - a once highly successful trading company in the port of Lübeck on the Baltic Sea - in a world where the old ways no longer seem to work.

It's , and the revolutionary tide running through Europe has finally reached Lübeck. Will the old merchant families hold on to power?

Of the Buddenbrook children, only Tom remains to learn the business. J Thomas and Gerda's son Hanno shows no aptitude for business, but may make a great musician.

Lovely to revisit this having just visited the beautiful hanseatic league town of Lübeck. Lebrecht Kroger undertook the carving, and skillfully cut the succulent slices, with his elbows slightly elevated and his two long forefingers laid out along the back of the knife and fork.

With the ham went the Frau Consul's celebrated " Russian jam" - a pungent fruit conserve flavoured with spirits. View all 8 comments.

May 13, Mala rated it really liked it Shelves: classic-ever-enduring-appeal , nobel-prize-winner. Decline of a great family always evokes interest— people watch it like they would—a train wreck, a road-side accident, or a disaster movie— with fascination.

There's also an element of schadenfreude involved in "How the mighty have fallen! The historical change is sometimes seen as desirable as in the musical progression from Bach to Beethoven to Wagner.

It's only towards the end, that Mann categorically regrets the changing times in the description of Hanno's school: Soon after the new director's arrival, renovation and modernization of the old institution had begun— according to the very latest hygienic and aesthetic criteria— and been very successfully completed.

It remained an open question, however, whether the school had not been a more sympathetic and generous institution in the old days—when a little less modern, comfort and a little more kindness, sentiment, serenity, benevolence, and good cheer had held sway in its rooms.

There is also the hovering pessimism of Schopenhauer. The younger Buddenbrook, Christian the hypochondriac's tragedy is having an artistic temperament but not the ability.

And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances.

It had all contributed to making his existence what it was: artificial, self-conscious, and forced — until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.

Artistic life, with its no guarantee of success, no fixed income, fluctuating fortunes, demands nerves of steel. Why single them out as freaks?

Proust's narrator in Swann's Way , doesn't cry as much as Hanno does! In its fixation with 'decline,' the plot becomes predictable.

Show or Tell? Curiously enough though, as the year changed the novel spans a period of , the narrative style also changed— there were pages with only dialogues without naming their speakers what a relief!

Incisive characterizations are achieved through a witty use of German dialects and the adaptation of leitmotif techniques borrowed from Wagner.

And the fast-paced narrative is tightly controlled by a structure evident in the parallel between the first chapter and the last: both take place on rainy evenings in the fall, and both feature Tony Buddenbrook in conversations about religion -- first with her rationally skeptical grandfather and at the end with her aged teacher, who has always waged the good fight "against the onslaughts of reason.

Still, as a twenty-five year old, writing his first novel, this is a bravura performance! It won him the Nobel prize for literature, let's not forget that!

May 23, Lawyer rated it it was amazing Recommends it for: Anyone. Shelves: german-literature , thomas-mann , nobel-prize-winner , 20th-century , kindred-spirits-and-others , , group-read.

I am especially grateful for Kris Rabberman's invitation to join this group read. My experience with Thomas Mann had been limited to the short novella Death in Venice.

This group has broadened my reading horizons. Without the enthusiasm of the moderators and group members, it is highly unlikely I would have turned toward Buddenbrooks: The Decline of a Family.

My review will be forthcoming, with the added proviso that I am woefully behind on my reviewing. However, in short, Buddenbrooks: The Decli I am especially grateful for Kris Rabberman's invitation to join this group read.

However, in short, Buddenbrooks: The Decline of a Family is the story of generations of the Buddenbrook family.

They are merchants in the grain industry. Mann covers the generations from the time of family members who lived through the Napoleonic Wars through the end of a dynasty.

It is that "decline" of a family that provided this reader with constant fascination. The history of a disunited Germany floats through the history of the Buddenbrooks, always in the shadows.

Events have little apparent effect on the family. Mann's references to these events are quite subtle, which serves as a background to which the Buddenbrooks seem to turn a blind eye.

Turning once again to the dynamics of this group read, the Moderators, Kris and Kalliope have done a masterful job. Discussion among those reading the novel has been lively and thoughtful.

If you're looking for a way to wrap your mind around a book which has given you pause in the past, I can assure you there's a group of "Kindred Spirits" out there, each with their particular strengths involving cultural and historical influences.

Highly recommended band of readers. The three successive generations suffer a decline in their finances and family ideals as values change and old hierarchies are upset by Germany's rapid industrialization.

Two of the siblings, Thomas and Antonie, sub "That all those charms have pass'd away, I might have watch'd through long decay Two of the siblings, Thomas and Antonie, subordinate their personal happiness to the welfare of the family business.

Antonie in particular gives up happiness twice for appearance's sake, each time being ravaged by reverses. While Mann wrote this novel largely in an objective manner, the story represents a condemnation of the decadence of a materialistic society, as shown through this family.

While the Buddenbrooks were naturally honest and good, imbued with love of family, they were also afflicted by a blind loyalty to their own class.

They viewed each significant event in their lives, such as births, deaths, marriages, and social decisions, in relation to its effects on the family business.

Their refusal to adapt to changing conditions, to act from their moral convictions rather than treating their business as a religion, and to accept those not of their class led to their destruction.

Mann showed an incredible attention to the descriptive details of the period as well as his affinity for leitmotifs such as those derived from his love of the operas of Richard Wagner.

For example, blue skin and yellow teeth to represent decay and decadence in the family members. I will refrain from posting a review of Buddenbrooks as I have nothing to add to the many splendid reviews of the novel.

It is astonishing that he could write so brilliantly at the age of twenty-five. His observations have already that same sharp wit as erupting in The Magic Mountain.

However splendid the novel is, I will probably never re I will refrain from posting a review of Buddenbrooks as I have nothing to add to the many splendid reviews of the novel.

However splendid the novel is, I will probably never re-read Buddenbrooks as the feelings of decline and doom really get to you and are never elevated for just a moment, only now and then with a sparkle of music or a stay at the sea.

In that respect, Buddenbrooks harbours a much more pessimistic atmosphere than The Magic Mountain which I will surely re-read again some day.

View all 21 comments. May 20, Roy Lotz rated it really liked it Shelves: novels-novellas-short-stories , germanophilia.

This novel is a crowd-pleaser. Without difficult prose or avant-garde innovation, Mann has delivered a work of enduring art, a satisfying social novel of Germany in the s.

Indeed, the novel is so easily digestible that I find that I have very little to say about it. But lacking ideas is no excuse for not writing.

What emerges is, I think, a fair picture of this bygone world: well-meaning, but privileged people, muddling through history and misfortune.

For one, unlike so many classic novels, the plot of Buddenbrooks is not pushed forward by love and marriage. Instead, the motivations of the major characters are refreshingly diverse: money, respect, art, power, filial tenderness, tradition, and broader social currents.

Of course, this being a realistic work, there is love and marriage. Unlike most previous novels, however, the action of this book takes place at a time when divorce is possible—which quite dramatically changes things although it does not much improve the lot of the female characters in this book.

The plot of so many 18th century novels— Anna Karenina , Madame Bovary , The Red and the Black —would simply be incoherent if divorce had been easily attainable, so it was quite interesting for me to see how a major novelist adapted his plot to this new possibility.

While I would rank this novel significantly lower than The Magic Mountain in artistic vision and emotional depth, for simple reading pleasure Buddenbrooks is difficult to surpass.

And, often, that is all we really need. View 2 comments. I read a review recently of a historical novel.

The reviewer believed that most historical novels fail, because they depict characters with a modern consciousness.

These characters often defy the thinking of their times and act in ways that we can approve of. This novel is not historical fiction, but the fact that it was written over a hundred years ago and is full of completely recognisable, very vivid, and obviously historically accurate characters is just one of the things that wowed me about I read a review recently of a historical novel.

This novel is not historical fiction, but the fact that it was written over a hundred years ago and is full of completely recognisable, very vivid, and obviously historically accurate characters is just one of the things that wowed me about this book, Thomas Mann's first.

Sure, the characters do not hold all our values, but they are so like us, in good ways and bad ways, that it reminded me that our lives, in a sense, have been lived before.

And that is humbling. But the book is so well-written, filled with so many beautiful passages, so many extremely clear depictions of important aspects of life.

The realisation that all these emotions and situations have occurred before, millions of times, in millions of places, usually without an amazing novelist as witness, isn't even scary most of the time because I was just so impressed with Mann's ability to touch on so much.

He writes about a specific family during a specific time period but makes it breath-takingly universal.

Some characters appear throughout, but there are many viewpoints. Curiously, the novel, though clearly "literary", may even be an early example of a sub genre, the business novel, though I really have no idea how far back that sub genre goes.

The Buddenbrooks are merchants, and the business environment, livelihoods, is a lively and interesting element of the novel's setting.

The Buddenbrooks' decline and their business savvy is linked. We hear so much about today's changing economy; we ponder the unknowns and calculate, but that too, it is apparent from this novel, is not unique, even though differences between today and yesteryear obviously abound, humans have looked over similar precipices before It's an old novel, but I found it very readable and modern.

Most chapters are short. A lot of exposition and description are not incorporated within "action", as may be more the norm today, but it was not monotonous or boring.

If you want to see examples of lively exposition and lively "telling, not showing" that sparkles, read Buddenbrooks. Mann moved between exposition and scenes without apparent effort, and the scenes are exquisite.

I'll try to recall some of them without giving too much away while hinting at their scope: banquets full of innumerable characters, siblings in their twenties playing it cool, young adults at the beach with their whole lives ahead of them, school days, class distinctions at play between various characters in various situations, characters with broken dreams rationalising, broken men at the beach relaxing, going to the dentist, playing music, getting sucked into a philosophy book for the day, shirking responsibilities, facing death, and much, much more.

View all 17 comments. May 07, Sue rated it it was amazing Shelves: historical-fiction , read , classics , library-book , germany.

After thinking about this book for a bit I've decided it's now or never for this review. I've also decided to increase my rating to 5 after contemplating my primary reason for marking it a Discussion with others has caused me to look at this somewhat differently, as a portrayal of an unbearable situation during what was proving to be a quite unhappy life.

All of this fits with Mann's subtitle "The Decline of a Family". The novel pr After thinking about this book for a bit I've decided it's now or never for this review.

They have lived as grain merchants, certain of their own place in society and the world and the next world too.

All members are raised to live for the family's betterment. But there are cracks even in the earliest generation we meet, where the patriarch cannot love the firstborn son whose existence meant the death of his first wife.

As his second son was to say: "A family has to be united, to hold together, Father; otherwise evil will come knocking at the door.

Success is often on paper, while happiness is not considered a necessary ingredient of life. And then the next generation, the generation of Johann's children, Tom, Christian and daughter Tony.

Each has his own burden to carry for the sake of the family firm. Tony is chattel of a sort to bring income. Tom is to carry on the name.

Tom is the identity of the family in Lübeck. He is Buddenbrooks. But who is he. He completely lacked any ardent interest that might have occupied his mind.

His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief.

Ah the Buddenbrook legacy, like one of those creatures of the wild, devouring its young. I do recommend this book heartily.

Though it is lengthy, Mann provides many shifts in time, setting and characters as the reader moves though the generations.

There are comic moments to counter the sadness and irony scattered throughout. Thanks to all the members of the Buddenbrooks Group for opening up so many levels of this book to me most of which are not revealed in this review!

May 04, Paul rated it really liked it Shelves: european-novels. It is more accessible than some of Mann's later works as here all the big topics that Mann raises are couched in routine and the daily rhythm of life.

In his first novel Mann is writing about what he knows; these are the people and details of his childhood and upbringing, clearly set in his hometown of Lubeck.

I was a little reminded of the Palliser novels, but though there are similarities, Trollope was more of a plain storyteller. There is always much more going on with Mann.

I can imagine scholars of literature writing articles like "Dentistry and Death in Buddenbrroks".

Decay and decadence are important themes. The tensions that the desire for an artistic life creates in a conventional bourgeois household.

Yet there is an element of soap opera too; Thomas Buddenbrook upstairs reading Schopenauer whilst his wife is downstairs having a musical dalliance with a lieutenant.

The typhoid motif appears for the first, but not the last time; rearing its head again in "Death in Venice". Of all the characters; for me the most significant is Antonie Tony , who is in the book from beginning to end.

Tony is the custodian, resilient; surviving life's setbacks. Her life is unfulfilled and she never forgets her youthful attempt at rebellion; this is clear at the end of the book.

She also attempts to keep the peace between her two brothers. It is an impressive novel which straddles two centuries in its creation. There is always a sense of the fragility of life; death is always close and often the end is sudden.

The book also ends quite suddenly. There remains an interesting undercurrent; Hanno is quite a novel character. He is uniterested in games, a target for bullies, an aesthete.

Kai and Hanno provide a homoerotic undercurrent as Mann explores what is to be a recurrent theme in his novels.

An interesting precursor to those later novels. View all 3 comments. May 24, Rod rated it it was amazing Shelves: favorites , in-translation , nobel-prize-winners , owned , mann-oh-mann , everymans-library.

In the introduction there is an anecdote about a female friend of Mann's who read Buddenbrooks and liked it very much, saying she was never bored by it, but she was unable to explain why.

I've never liked books like this; you know, multi-generational family sagas, sort of soap opera-ish. After reading Buddenbrooks , though, I realize that maybe I just thought I've never liked books l In the introduction there is an anecdote about a female friend of Mann's who read Buddenbrooks and liked it very much, saying she was never bored by it, but she was unable to explain why.

After reading Buddenbrooks , though, I realize that maybe I just thought I've never liked books like this, when actually I really dig them.

In any case, I really dug this one. I could just be attracted to Mann's wondrous prose; his children called him "Die Zauberer" for a reason, I imagine.

Regardless, I was drawn to the Buddenbrooks in Buddenbrooks. They're real. I know these people. Even though I've never been and probably never will be part of the aristocracy, I nevertheless found a lot to identify with in these characters.

I didn't completely identify with Thomas or Christian, but I did see aspects of myself in both. The same goes for little Hanno, probably more so than I would care to admit.

And Tony. Tony, Tony, Tony. Without naming names I do have family members on Goodreads , do I ever know Tony. I'm sure I'm not alone; undoubtedly anyone with family is going to feel a certain sting of recognition at some point during the reading of Buddenbrooks.

This just tells me that Mann is writing something that is real and applicable to life. This is the second time I've been under The Magician's spell, the first being during my reading of The Magic Mountain , and I'm sure it won't be the last, as I have some more Mann lined up to read.

And perhaps there should be some more multi-generational family sagas in my future. What's that? I think I hear the Forsytes calling me.

May 18, Jonfaith rated it it was amazing. Apparently this was Faulkner's favorite novel from Mann. Aspects of it likely permeated his epic of the Compson family.

Coincidentally I read this one while my wife's sister was staying with us over the holidays. The Sound and The Fury was read in when we visted her in London.

I thought of this novel yesterday while reading Nancy Mitford's Pursuit of Love. One almost needs to polish silver when pondering these works.

View all 7 comments. May 06, Kim rated it really liked it. This is a novel I may never have read had my friend Kalliope not invited me to join in a group read.

While I'm an enthusiatic reader of 19th century English and to a lesser extent French literature, my exposure to German literature of this period has been sadly lacking.

So I'm glad to have had the opportunity to read this novel along with other neophytes and with experts in German literature. While I mostly lurked on its fringes, the group discussion has been informative and stimulating.

To a l This is a novel I may never have read had my friend Kalliope not invited me to join in a group read. To a large extent, the plot of this novel is disclosed in the title and all the rest is detail.

It concerns a prosperous and well-respected family from the mercantile middle class of northern Germany, whose wealth and social status are dissipated with each passing generation until the family effectively disappears altogether.

Mann concentrates on two characters in particular, Thomas Buddenbrook and his sister Antonie. Both identify strongly with their family and make decisions based on what they believe is owed to its history, its reputation and its continued prosperity.

Neither is destined for happiness. Mann's prose and descriptive ability are superb. Or at least I assume they are, because they've been rendered beautifully in the translation by John E Woods.

The story is told through an omnipresent, omniscient, rather detached and ironic narrator. This is both a strength and weakness of the work.

While the narrator is able to explore the perspective and motivation of the various characters, the detachment and irony of the narrator's voice may be the reason I didn't feel fully engaged with the characters.

I would have liked to have been more moved by the characters than I was. For me, the fate of the Buddenbrook family was of more intellectual than emotional interest.

Oscar Wilde famously defined a cynic as someone who knows the price of everything and the value of nothing. The Buddenbrooks certainly knew the price of everything.

I don't know that they were necessarily cynical, but most members of the family had a warped idea of the value of their family, seeing it only in terms of what it owned and what it could buy.

Mann's account of the family's downfall is a salutary lesson of the dangers of being the kind of person described by Oscar Wilde.

It will be interesting to see Galsworthy's take on middle class sensibilities in a changing world. View all 20 comments. I have to know.

View all 5 comments. May 04, Raul Bimenyimana rated it it was amazing. Set in nineteenth century Northern Germany, this is a family saga.

The Buddenbrooks are a merchant family recognised in their town for their wealth and status and so each and every personal and professional decision they make is supposed to be an additional honour to the family name.

Spanning four generations, Mann writes of the upper class family's relations with the town and their business, personal lives and marriages.

The lives of the third and fourth generational characters being the bulk of Set in nineteenth century Northern Germany, this is a family saga.

The lives of the third and fourth generational characters being the bulk of the book. This book was pages, it dragged on at certain parts as long books usually do, but the fleshing out of characters left the lasting effect of attachment to them.

Done brilliantly, I cringed at their embarrassments, felt proud of their achievements and felt sadness at their losses and grief.

I was properly invested in them. This book was written by Thomas Mann when he was just twenty five. It's an impressive long book, written beautifully and quite intense at parts.

Certain observations on life and death and loss were very moving. The bits about music were enthralling, marvellously captured and made me wish I knew more about piano, and violin, and music in general so that I'd have properly appreciated the moments.

The tone of the book is nostalgic which can be attributed to Mann reflecting from his past, and that final tragedy which had been long foreshadowed but hurt nonetheless with the end of the book.

A wonderful book. View all 4 comments. May 08, Gary the Bookworm rated it really liked it. I have been stalling about writing a review.

Just as I stalled about finishing the book. Buddenbrooks didn't exactly grab me in the beginning. The first few chapters seemed to be about a bunch of smug, self-indulgent people who wore elaborate outfits and stuffed themselves without restraint.

I barely noticed the two sons, Tom and Christian, and Tony, the golden-haired daughter. If it hadn't been for the discussion threads provided by other members of our group, I may have abandoned it entirely.

It didn't make much sense to me until one of the threads pointed to the influence of Richard Wagner's operas on Thomas Mann.

I've never been a huge Wagner fan, but I've heard people speak about Wagner time. Apparently, it explains how audiences are able to sit for hours once they're under the spell of his music.

So maybe the elaborate housewarming was something like the opening of the Ring Cycle when the gods move into their new castle in Valhalla.

The Buddenbrooks, gods of commerce, were announcing to the town that they were rich enough to merit everyone's attention-and envy. Old Mr.

Buddenbrook made his money as a war profiteer and had recently disinherited an elder son from an earlier marriage, because that son had married a woman from a lower social rank.

Was the estranged son, Gotthold, analogous to the giants who built Wotan's castle? They all felt similarly cheated. Despite these vexing thoughts, gods will be gods, so nothing could stop any of them from celebrating their elaborate new digs.

The Buddenbrooks' star, like Wotan's ring of stolen gold, would shine brightly as long as someone in the family could mind the family coffers.

Easier said than done. The children grew into adulthood knowing what is expected of them; girls were to marry for money and boys would inherit the business and produce male heirs.

As long as there was enough wealth, a few youthful indiscretions and missteps shouldn't matter. Unfortunately, except for Grandpa, none of the men had much talent for business and the girls made unfortunate marriages.

Things rapidly deteriorated. By the time Tom's son, Hanno, was born, the business was hemorrhaging money, Tony was a divorced, social-outcast and Christian was a disreputable hypochondriac.

Mann chose to describe all of this in a series of operatic set pieces. We witness weddings, funerals, intimate gatherings and elaborate family spectacles with all the Buddenbrooks performing as if they were actors on a stage.

Each of them has at least one stirring aria, to explain his or her interior life, but they all seem to lack the will-or capacity- to reverse the family's downward trajectory.

February 13, History. By Thomas Mann. Go to the editions section to read or download ebooks. Buddenbrooks Thomas Mann.

Want to Read. About the Book. Times 19th century , 20th century , Revolution, , Buddenbrooks: the decline of a family , Knopf, Distributed by Random House.

Better World Books Amazon Bookshop. Buddenbrooks: the decline of a family , Vintage International. Download for print-disabled.

Buddenbrooks: the decline of a family , David Campbell Publishers. Buddenbrooks: the decline of a family , Knopf.

Buddenbrooks , Vintage International. Buddenbrooks , Alfred A. Buddenbrooks: Verfall einer Familie , Fischer.

Buddenbrooks , Penguin. Buddenbrooks: the decline of a family , Folio Society. Better World Books. Buddenbrooks , Vintage Books.

Paperback in English - Vintage books ed. Checked Out. Buddenbrooks: Verfall einer Familie , S. Buddenbrooks: Verfall einer Familie , Fischer Verlag.

BuddenBrooks: Verfall einer Familie. Ungekürzte Sonderausgabe. Buddenbrooks: Verfall einer Familie.

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